#how to make a guy want you so badly

[dykedvonte]

I think a big misunderstanding is the power people give Curly to actually change things about the way the pony express operates or could’ve done things on the Tulpar.

We are talking about a company that docks pay for bad synergy despite mandated psych evals that should tell which staff members would work well together, only allots for 5 hours of sleep despite having literally no other tasks to truly do and locks all resources behind the access of one person. The last one is likely to manage resources and make it easier to justify collective punishment and blaming one person for it; someone needs something in “excess” or the captain gives in? It’s all on them your pay is docked. Instant resentment.

It’s insidious how the company works, it’s by design to distract you from coming after them, to force tensions to line their own pockets. With all the restrictions and forced interactions, altercations are bound to happen. 5 hours of sleep a day, limited sources of entertainment, no real tasks… the monotony alone would cause bad cabin fever, mix that with just only one absolute mediator and you get the exact environment that allows shit like in the game to happen.

The idea he could just complain and try to throw his weight around to get them to dig into their pocket for the crews comfort is laughable and misses the predatory and dehumanizing aspect of capitalism the Pony Express represents. Curly was and is still just another asset to them. Being a top show pony doesn’t mean he’s anywhere close to the actual top. He is the top of the working ladder, not whoever’s in corporate, he wouldn’t even be on the bottom step unlike what Jimmy perceives. The resounding recommendations he would get are almost mocking as they throw him out like nothing just like the rest. Being a shitty fucking company, how much do you bet they’d mean anything anyways, especially since he wanted to leave the field all together.

He made a fuss and they didn’t listen, he says he should’ve done more but you can tell he knows it wouldn’t have changed anything. Jobs like this are willing to make a sacrifice if it means even a penny more. Curly makes a bigger fuss they likely would’ve just found an “unrelated” reason to fire him, hired a more pliable guy or, terrifyingly, promoted Jimmy. The company was failing, going to shut down whether anything happened on the ship or not. But knowing that they were shutting down and that everyone, including him, would be out of a job with this being their last paycheck, he had to factor in not destroying the last bit of their financial stabilities combined with every other issue on the vessel and his own. He gets another cryopod or locks and then he has to break to them that they are not only fired but there will be substantial cuts to their paychecks due to the “upgrades” (things that already should’ve been in place on their part) on top of anything else that could be docked along the way.

You can blame him for saying it so early into the trip but then again, if he mentioned it later who’s to say it wouldn’t have been worse? On the capitalism side alone how would people in a galaxy away from home, out of a job and already stir crazy react? Don’t get me started on how Jimmy would have reacted if he realized he only had two days left to fix what would be a very hard to miss “problem” in his head…

I can’t even consider explaining this as devils advocate because it’s just facts of the world we and they live in and factors that heavily affected the situation. People are just so quick to make claims on the ease of the choices when P.E literally makes it hard to choose to do anything but suck it up.

[nex-has-gender-envy]

Just a little tender smooch

Sorry for lack of symbrock content, a lot has been happening rn in life (also I've been on that poolverine wave, still kinda am) . But damm I'm so excited for venom 3. I hope they release another tease this month or in next. Im starving .

[katierosefun]

modern family is all fun and games until you get to the scenes where you burst into tears because the once-vaguely homophobic dad now refers to his son's husband as family, and also the academically gifted daughter realizes that her dorky, clumsy dad was always really proud of her and just never surprised because he just assumed she could do anything, and also the eldest daughter who eloped comes crawling back to her parents' room and whispers that she still wants her parents to be present for her wedding, and also the anxious queer lawyer character admits that he was terrified that his husband would just leave him alone with their baby daughter, and also that the once-vaguely grouchy dad looks at his stepson and tells him that what makes a family is who sticks around, not who you're blood-related to and anyways what was i saying

[cybertron-after-dark]

Blades would get along so well with (idw) Thundercracker,,, movie nerdsss

Heatwave is not beating the gay for kade caring about others allegations. "Are you certain this wont hurt him" its been established doc. Greene has used the nightmare-thingy machine on himself, i'm pretty sure its safe but the concern is adorable

They are writing the single most trope heavy, shameless romcom in Earth's history together, John Hasbro told me himself in a dream 💖

As for heatwave, Mans is PROTECTIVE over his fuckign BOYFRIEND.

[itissadbutitsmy-artblog]

i overturn my uncles barbeque grill and turn the Fourth Of July into the Fourth Of Shit

theres a gray one becaesu i actually hate coloring things so much

[sysig]

Dr. “Has to get a good grade in therapy” Doran (Patreon)

[quackity1999]

okay, big q, think about this, bear with me, let me tell you a story and you can tell one back: you're in a nightmare. the alley's chill goes through whatever you're wearing at the moment (not important, don't mind the blood; you were a butcher, no?). you keep walking, it's the only way forward. are you afraid of the dark? surely not.

something stands before you, a towering frame of unspecified likeness. it says, "hello! I am a manifestation of your fear. i am a person, an event, a place, a tool; i am one of them or a series of them. i am what haunts the back of your eyelids. i am what you think of when the night is too quiet and your heart is too lonely.

tell me, in your words, the best you can say it, in the most detail possible: what am i? what do you see when you are scared?"

it's something about— snow, funnily enough. it's prone to swallowing up footprints. you could walk a thousand, million, whatever fucking miles and there'd be no proof of you ever being there.

i think it chases me. and i run terrified of what i'll be met with at the very top. even if i believe i want what's there more than anything else i've longed for in the past. maybe there's nothing waiting for me; maybe it's already been dusted into a perfected pile of flakes that reject your attempt at leaving a mark on this world.

jesus, i cover it up. i cover it up with sand, i threw it in the faces of people i thought loved me, i threw it in the face of peace, i spit glass and kick the remnants of myself into something that i wish wasn't snow anymore. i don't know.

it's something about snow. and it's something about sand, too. how something so soft could become so abrasive over time. over eons. decades. lovers, wars, betrayals, failures, the goddamn fucking political ladder that only showers you in blood for a celebration— multiple times.

i think it all ends up as snow after a while.

and maybe i should stop trying to force the sand into being what it's not.

[ehlnofay]

Pax should have said no.

Damn it all, they should have said no. Should have said go to hell and fucked off back – stop contacting me, sort out your own shit – but they didn’t, fuck knows why, and now they’re stuck here.

(They know why. They know exactly why; absolutely anything would be better than fucking off back to Cyrodiil. What’s for them there?)

But there’s nothing worth staying for here either, and now she’s crammed in between strangers on a long table, everyone dressed in fabrics she’s never seen with dyes so saturated they seem almost gory, eating stuff that isn’t food and talking loud enough to make her want to hurl a glass into the wall. It’s bizarre. The woman next to her, ruddy-faced and bald, wears a headpiece that shines like the sun the Isles doesn’t have; the other side is taken up by a stranger in a bone-white porcelain mask who has not moved but to swill the wine around in their glass. There’s scarcely room for Pax’s chair. It all feels like such a baffling pantomime of aristocracy (she's known the real thing well enough – feasts and toasts and luxurious gifts she had no use for, and if she doesn’t stop thinking about it she actually will throw a glass), bright colours and rich settings and a god taking offerings at the head of the table.

At least, Pax thinks, no-one tries to talk to him; they’re too busy fawning over their lord. Which is probably to be expected; but it all feels so strange, so unsettling, the way they all lean in towards it like flowers turning to face the sun, like seaweed dragged at by the inescapable pull of the tides. They grow towards it through the cracks in the air, matter moving toward the inevitable centre, as if they can imagine nothing more than this.

(Even more unsettling is the way it responds in kind, listening attentively to anyone who speaks to it, leaning in as though to kiss them, as though to swallow them whole. All hell, why did Pax agree to this? Why did they come?)

(They should have told it to fuck off. Should have said no way, I don’t want to help you, don’t want to get involved in anything you’d need my help for. I don’t owe you anything. I don’t need anything from you. I don’t want anything to do with you. I’m done.)

(Pax is done. Pax is sick to death of all this shit; doesn’t want to deal with this, the vaguely described problems of a god that picks people apart like it’s unravelling a thick yarn shawl. Doesn’t want to deal with anything like this. He’s had his fill of gods.)

(Why is he still fucking here? Why did he agree to this? This is no better than eating in that weird fucking inn in town. This is no better than –)

(That’s a lie. It’s a bit better than Cyrodiil. Just as much a shithole, but it pulls the rug out from under him often enough that he doesn’t have time to think too much.)

“Not hungry?” says a prowling voice, coiling catlike into the plaits in their hair, and Pax jumps enough to jostle the masked bastard sitting ramrod straight next to him.

He looks up.

At the empty placemat across from him sits a figure veiled in gossamer, glittering in the glow of the lit-up lichen on the distant throne; the fabric of its endless shawls pulls apart at the ends, peeling away from itself, shedding patches like iridescent insect wings every time it shifts. If Pax squints, they can see through it to the grand marbled wall behind.

She glances back at the chair at the head of the table, where something lounges, eyes dripping gold, intricately carved cane laid across its knees; its too-many fingers are laced with the hand of a man whose gown blooms floral. Flatly, she says, “What the fuck?”

“Aren’t you hungry?” Sheogorath asks, pouting; she can hear it laughing down the other end of the table. “It’s a proper feast. We pulled out all the stops.”

Pax shifts their eyes away to peer down at their plate. “You have served me worms,” she says. She flicks the dish with a fingernail. “In jelly. With flowers.”

“Larva, actually,” Sheogorath replies. It’s still at the other end of the table. It doesn’t seem eager to explain this. When it smiles, the gossamer falls away; its whole face splits in half.

It’s all so fucking stupid. Pax takes a deep breath – in through the nose, ignore all the odd spiced smells, and out – and does not yell at it, or try to hit it, because she’s gotten herself into a situation where that’s not really an option, because she’s a fucking idiot. Why didn’t she just say no?

(She knows why.)

The Mad God’s teeth flash bright as the ornate silver cutlery. Its chair scrapes back from the table. “It melts in your mouth,” it tells her, eyes glittering, “but I won’t make you try it. Walk with me?”

The figure still sits at the head of the table, snatching something from someone’s plate, always, always laughing. Its limbs sprawl like tentacles, like the silken threads of a tapestry, to encompass the whole room. The dinner guests stare as though bewitched, bedevilled, beguiled. Not one of them is looking at Pax. If he were to drop dead with his face in the food his corpse would not be discovered until sunrise.

Pax sniffs and shoves his chair back from the table. He lets Sheogorath (the second Sheogorath – but it must be, what else could it be?) lead him through a narrow door into some winding hallway, the walls lined and rimed with ornate coloured-glass windows. (It’s so much quieter. Still as garishly bright, but Pax is getting the sense that that is inescapable, here; the clothes they wear, as crumpled and covered in travelling-grime as ever and startlingly out of place against the odd jagged finery of the dinner party, seem unimaginably dull in comparison. Everything seems unimaginably dull in comparison.) Outside the windows, they can catch glimpses of the city – its winding, lamp-lit streets, the jumbled mess of its architecture, the sky arcing above it like a child’s attempt at watercolours. Pax wants to smash it, tear it down.

There’s no sun here, but still it’s night. The sky has shifted to purple and black.

“Isn’t it nice?” says their companion; when they look back, it’s nothing more than a shifting impression in the stained-glass window, a series of hairline cracks. It still manages, somehow, to smile at them.

It’s not. The sky is a shadow and the flamboyance of the palace is scraping at their spine. “Sure,” Pax says flatly. When she flexes her fingers, the bruising staining the base knuckle of her thumb aches.

Sheogorath looks at her – an ancient man leaning on a stick, a flickering painting, a bloody corpse, a little girl in velvet-red skirts, a breath. In its mercurial shifting she catches the flowery blossom of the man at the table’s collar, an unpleasant glimpse of her own braided hair, the smell of sulphur. It tips its head. She can’t focus on it anywhere but for the eyes.

“You don’t like my dinner parties,” it announces, as though it’s a revelation, a tragedy; its body crumbles like sea cliffs slowly eroded by the ways. It’s annoying – bloody obnoxious, and incomprehensible, and kind of weird that it noticed, that it would even care. (She’s never liked dinner parties. Nobody ever commented on it before.)

I’ve had well enough of them, Pax could say, or no, I don’t like you, but it’s the fucking Mad God, Daedric Prince of – Pax doesn’t even know what, he’s never known much about this shit, only that it’s well worth avoiding. Prince of the mad and the missing and the foolish, of breaking and breaking and putting yourself back together backwards. She should have said no, but she didn’t, and who knows what would happen if she went back on that now?

It's slinking closer. All that stay static enough to make out are eyes and teeth.

“Pax, yes?” it says, soft-voiced – a hand lands on his arm, small and dry and shivering, the skin as thing as a mouldering leaf. “You have no obligations here. If you want to be on your own, be on your own. We’ve plenty of space for it.”

Pax’s eyes narrow. He does not jerk away from it.

In the light of the coloured sky, the coloured windows, its face is phantasmagorical. “If you don’t want to be here,” it continues – still so skin-pricklingly gentle – “then your hand will not be forced. I’ll speed your way home if you wish.”

They can’t help but twitch at that. It’s setting their teeth on edge. (It’s lying – has to be. After its ages of coaxing them in, meting out information, not telling them where they were until they were on its doorstep, it would not give them the chance to leave.) Rough, still covered in road-grime, Pax asks, “Why should I believe you?”

(None of them have ever given them the chance to leave.)

Sheogorath, a figure of hollow skin and bone, inclines its head. “I wouldn’t lie to you, Pax,” it says. Its eyes are wide and bulging, whites on full display like a frightened horse; it grins again. “Others might. But we’re not a monolith. We’re not even especially similar.”

Pax bites down on the flat edge of their tongue. “That doesn’t mean anything to me.”

The light coming in through the windows flickers. The Mad God turns to meet it.

“I’m the youngest,” it says, its voice glittering like mist on the air. “Did you know that? I don’t remember the world without you in it.” Its form spasms, volatile, wings and limbs and eyes like a snail’s on stalks sprouting and choking and subsiding back into its mass. “I’m closer to you than any. I understand, almost.”

“That doesn’t mean anything,” Pax repeats. She’s gritting her teeth, tonguing at her gums where two are missing. Are two devil-gods not enough to deal with for a lifetime? Is there really going to be more of this now, too?

Rolling through the air like smoke, the voice says, “It will.”

Pax presses purple-green knuckles to her mouth. Her teeth dig into the soft meat of her lip.

Sheogorath turns to face her, hair moving as though blown by the wind, as though tugged by the tides. It sighs. “You don’t believe me,” it says. Its tongue pokes through its teeth. “That’s perfectly fine. Clever, even. But if you want to leave, all you need to do is tell me so.” It pauses, then; the train of its strange, gnarled crown shifts over its shoulders when it moves its head. “Or just leave. The door is still open.”

“You’d be fine with me just leaving,” Pax rasps around his knuckle, “after weeks of not leaving me alone?”

(Of begging him to come, poorly-hidden agitation giving way to blatant franticness, half-swallowing the fear that choked its face in every mirror it spoke to him through. Of begging him still, after he got here, after he met it – begging in a roundabout manner, casual as anything, its every motion reeking of fear. Its abject terror when he turned to leave. You’ve come this far. Why not hear an old man out? Pax told it that it wasn’t an old man, that he didn’t give a shit either way, and it slid through a child, a monster, a sulphur-burned body coughing blood, his own shuddering form in armour he hasn’t seen in months, and it said please.)

(Regained its composure, its gentleman’s face, immediately afterward. But it – the Mad God, unknowable, inconsolable – said please. Pax still doesn’t know what to do with that.)

The Mad God, now, shrugs. Taps at the hairline cracks in the stained glass windows. “I’d prefer you didn’t,” it says, one pair of hands braiding something intricate into its beard. The hand on the glass slips down. “I told you. I do need a champion.”

“And I told you,” Pax bites, something aching and ugly surging in their gut, “not to call me that again.”

A smile, bloody-mouthed and beaming. “But we will abide,” says Sheogorath, and digs its fingers into the cracks of the stone. One brick slides loose, mortar dug up under its nails. It offers it up.

Pax licks their teeth and takes it.

The brick shivers, momentarily – crumbles, in their hand, like sand slithering through their fingers, and left in their palm is a hardy slip of bone. Spiked and sprawling, carved with intricate patterns; it arranges itself around an oval of empty space, the perfect size for four sharp-knuckled fingers.

“You can always leave,” the Mad God tells them, and for a moment it does look so very young and strangely, staggeringly hopeful. “But give it a chance. I think you could love the Isles, if you choose to.”

[quicktimeeventfull]

i have helped with the weddings of several people i love very dearly who just wanted 'a few simple homemade touches' and inevitably what this means is people running around for weeks lying through their teeth when the to-be-married couple ask if it's been any trouble

[pollen]

i've been diving a lot deeper into adhd symptoms and comorbidities and misdiagnoses and whenever i tell my boyfriend something i learned that sounds like me he responds with something like

[nebuladreamz]

*CRASHES IN *💥💥💥

NEBBY!!!

I JUST REALIZED I DON'T KNOW JACK ABOUT YOUR AUS OR OCS PLEASE SLAM AN INFO DUMP ON ME

WAUGH UH

OKAY OKAY UH VERY SHITTY SLIDESHOW GO

[gideonisms]

See I think if I'd been born a guy I wouldn't be this pathologically avoidant trying to plan my career because there are plenty of situations you can find as a cis man where you just Do Tasks in awkward silence and you can get to those as a woman but you have to go through the rings of hell socializing first and then besides, a lot of those jobs already have so many men that you stand out when the whole point was you Don't want to do that

[gornackeaterofworlds]

i have a question. does april have any ulterior motives for befriending the turtles in the butterfly effect?

Hm. By ulterior you likely mean sinister, and in that regard, no. She is a "good" character. There will actually be an intermission sometime after this arc ends in a few chapters that will detail what happened during my disgusting time skip, where you might gain more insight.

But neutrally, yes!! The meeting scene means a lot to me because of everything that's clashing unspoken, a lot of decisions being weighed. So she does have a motive, the core of her character and many conflicts to come, that was the main reason she played nice. But she warms up to them as "people", though, and becomes a genuine friend as well, which is where she's at by the time the time skip is over. This isn't as rushed as it seems, they will get a lot of interactions together very soon for you to parse through. With it being so early, I'm not keen on plot dumping just yet, so I'm unsure of when said Intermission will release. But they will all get insight into their backstories that's not absolutely necessary for the main plot but as more of an added bonus

[boag]

I mentioned this briefly yesterday but basically my mom lost her little purse while walking the dogs and we’ve looked everywhere in our neighborhood and someone definitely took it bc it’s nowhere to be found. We have no way to track the location of anything in it bc she still has her phone, but the purse contained literally everything else we had. All of our money and all of my mom’s cards and important items were in it and now we have absolutely nothing. So if anyone could help us out so we can pay for food and bills and stuff while we sort this out it would really be SO appreciated like we’re just completely screwed rn 😭 Anything any of you could spare would really help us so much like we’re currently just penniless with no backup plan or anything and we used the rest of the little food we had to make dinner tonight and now we have nothing left

My Cashapp, PayPal, and Venmo are all karmabauer

[secretlythatsme]

i really love dc x dp tbh but i hate how so many fics end up making the batfam dumb as shit. and i don't mean in a "loveable goof" kind of way but in a genuine "these people don't have the skills or intelligence to be heroes" kind of way. which is just antithetical to their entire thing

sometimes it's because the writer just genuinely doesn't know anything about the batfam or what they've been through so they come across as idiots. and other times it's because the writer is writing op ghost king danny or just generally op danny and they genuinely think he could outsmart or beat them. more often than not, it's a combination of the two.

it's just so sad. like not only is it disrespectul to the batfam, essentially getting rid of all the skills and experience they have just to prop up danny, but it also makes things a lot more boring imo. don't get me wrong, i don't mind the occasional "main character is super op" kind of story, but it's boring when like 70% of fics are like that and there's no real challenge or obstacle for him. part of why the show danny phantom was so fun was that it was exciting and chair gripping to see danny have to deal with his new ghost powers, figuring out how to deal with ghost attacks or vlad, and dealing with school and his parents on top of that.

but often, dc x dp fics just,, get rid of any challenge for him. sure batman is a skilled detective but danny will always be able to trick him! sure cass has been trained since birth to read people's body language but this random ghost teen knows how to conceal and control everything!! yeah damian has also been trained since birth to fight and kill but this random guy from the midwest who just started fighting in his teens is so much better!!! like, alright. it's fun every now and then but it sucks when so much of the dc x dp content is just people acting like the batfam are the worst vigilantes/detectives in the world.

and honestly i still feel this way even with the ghost king danny fics because how? he's never had to deal with people obsessively reading his body language or reading between the lines. he's had to deal with hiding stuff sure but his parents aren't the most observant people - their whole deal was being neglectful. even as a ghost king, why would he know how to outsmart, take advantage of, or beat the batfam in any capacity when he would still mostly deal with ghosts. it's a completely different skill set here - one that he likely wouldn't be prepared for. it'd be fine if they at least attempted to explain why danny would have those skills (like league danny aus) but most of them don't.

and i'm not saying danny couldn't do it at all, especially if it's a ghost king au, but i'm just tired of seeing the batfam constantly downplayed in these fics Just to make danny look better, smarter, stronger, etc. ik most people in the fandom are just danny fans but it really shows with how they treat, characterize, and shit on the dc characters just to prop danny up. it also serves to occasionally make danny look like an asshole when he intentionally messes with them and basically commits psychological torture for a goof.

[somedudewithantlers]

ya girl Steve is not doing all that great in college work life